Alessio
Bevilacqua

A spec spot for Heineken. At dusk, Ray pops a cap on his porch and three neighbourhood dads answer from their windows without a word. Each one sneaks out, each one gets caught, and behind the fence they clink as quietly as they can. Then a second pop from the other side: the wives were never fooled. I built every character, location and prop as an element (23 of them), so the bottle never morphs and the faces hold in every shot.

A spec film for Di Paolo & Co., a Toronto atelier that remakes heirloom jewellery. One ring follows a bride from a 1965 church in Italy to her granddaughter's wedding in Canada, remade at the jeweller's bench along the way. I wrote it and built every character, hand, prop and location as an element (21 of them), so the ring stays the same ring for sixty years.

I pitched 13th Floor a late-'90s editorial for their bomber and denim, shot like it was on film: five cities, five people, one look. The owner approved it for release, and I built every character and city as an element so the product and the grade hold in every shot.

Four guys steal a fig, cut like a Nolan heist: establishing wides, a binocular POV, extreme close-ups, over-the-shoulders. I wrote it, blocked it with Blender previz and staging diagrams, generated it in Higgsfield and cut it in Final Cut.